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| Literature of the Americas ENG 262.003 Fall, 1997 Professor Marcus Embry Office Hours: Tu., Wed.,Th. 1:15 - 2:15 L-30 Michener 351-2111 membry@unco.edu http://asweb.unco.edu/latina Books are available at The Book Stop, 931 16th Street. Synopsis: Weekly Syllabus: (note reading assignments are to be completed by the first day of class assigned for which the specific text is assigned. If it becomes evident that reading assignments are not being completed on time, then we will have quizzes) Books are available at The Book Stop, 931 16th Street. Revolution: In the three following books, we will see three depictions of revolution in the Americas. None of these revolutions are for independence from European colonial power; rather, they are revolutions against the self-governments that replaced colonial rule. We will begin with Didion's well-known fantasy regarding a revolution in Central America, and we will concentrate on what this novel reveals about a US attitude toward "Latin American" revolution. Then we will move on to two depictions of the Mexican Civil War (sometimes referred to as the Mexican Revolution). What are the similarities and differences between these three books? Students are strongly encouraged to visit the library and read historical information about revolutions in Latin America in general and Mexico in particular. Aug. 28 Intro Sep. 2 Joan Didion. A Book of Common Prayer Sep. 9 Carlos Fuentes. Death of Artemio Cruz Sep. 16 Death of Artemio Cruz Sep. 23 Ángeles Mastretta. Tear This Heart Out Sep. 30 Tear This Heart Out Music: Next, we will address the issue of music in the Americas. As you should be aware, music is yet another form of revolution, albeit more cultural and marginally less violent than governmental upheavals. In the following texts, we will consider first what it means to have a music that is specifically from the Americas, and to what extent this forms a revolutionary context for music. Then, we will consider music as a narrative vehicle to describe revolution or drastic cultural and/or political change. Finally, we will examine the issue of syncretism, the blending of historically distinct cultural forms or symbolic orders, and to what extent syncretism functions as an explantion of music and/or revolution in the Americas. Oct. 7 W.E.B. DuBois. Souls of Black Folk Oct. 14 Souls of Black Folk Oct. 21 Willa Cather. The Song of the Lark Oct. 28 Alejo Carpentier. The Lost Steps Nov. 4 The Lost Steps Nov. 11 Mambo Kings Play Songs of Love Nov. 18 NO CLASS Nov. 25 Reservation Blues Dec. 2 Reservation Blues Final Exam Grading: Participation grades will be determined as follows:
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